The trains in Spain
Crash mainly on the plain
Now why is that?
The trains in Spain
Crash mainly on the plain
Now why is that?
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.
I remember when we used to
cycle across the railway bridge
With friends
Down the road from Ashcott
And the walk through the glens
And hanging greenery
That was the woodland there
All is gone, or have I moved on?
What remains is just a memory
In my mind's ear I hear
The steam trains shuffling
Whistling clear
their boiler bellies puffing
And yet I know the end of the track is coming
And yet I know I'll follow it to the sea
Burnham and Highbridge
Try to launch ourselves
Across the Severn estuary
We have no chances
Just to be swept up
And drowned in the wash
Still there's the hope
We could catch a boat
And make it to Cardiff or Penarth
And we could keep going
Because the end of the line
Is so far off
Perhaps it's a lie
But it's a good one
I wish to tell myself
That we can reach the end
Of the rainbow
That there's a future
Worth thinking of
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.
Haul away to Salisbury
I'll not be back today
We load the stock
With brick and rock
And Quarrying we may
Well Johnny's on the line ma
He's a rolling car
The buds are blooming in the sidings
The broom and Buddleia
They get on board at Weymouth
They alight thar at Frome
And by the time of Castle Cary
Well there wasn't any room
They've been a holidaying
Down the Heart of Wessex line
But it's alright, the car is tight
Johnny's rolling all the time
Well haul away to Salisbury
And back to Cattistock
We hit bad weather
At Marston Magna
And Rolled back to West Radstock
Now nevermind Bathampton
Westmoreland or Bath Spa
It's Limpley Stoke
With the Freshford folk
Who'll climb into his car
He never knew a girl before
Like the one from St Anne's Park
She could quick draw
And from her maw
She drew a big dog's bark
It was called the Heart of Wessex
the beating Vena Cava
The artery, the pulmonary
The vein and semi quaver
If ever there was a left leg
They'd call it Weymouth Quay
If ever blood went to their head
In Temple Meads they'd be
Now here's the heart of Wessex
A pumping people home
Up and down the West Country
From Salisbury to Frome
Now speaking of a right hand
Across to Clevedon pier
Upon the Cheddar Valley line
All drinking Strawberry beer
Upon the Great Western Railway
Isambard Kingdom Brunel
He built the bridge across the Avon cliffs
Johnny knew him very well
Now Johnny comes a walking
Down the tracks that he once rolled
The tunnels where he blew his whistle
Along strawberry hills he strolled
Now the beating heart of Wessex doesn't
Pump no more of his blood
But the tracks that once held his stacks
Are now covered in his mud
Yes Johnny's in the cab
Shovelling the coal
And he's the steam of fires seen
As the rolling stock does roll
And the body is not working
But it's still living mind and soul
And the ghost of Johnny Firkin
Still hauls down on the Wessex roll
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.
30 years
Of trying to go my own way
30 years, 30 years
And you put a big fence in my way
And it is thirty years away
But it still could have been yesterday
Railroad man Jonny
Steamroller away
Steam roller , heavy roller
The Ash trees sway
The wind blows through the tunnel
And the hours fall away
30 years tomorrow could've been yesterday
Who is the rich man
Falling on the pile
Another Mink lined coat
Another mill-a-mile
Burning up the cotton
treading down the yarn
Only railroad Jonny could do him any harm
Rich man, rich man
Won't you give away some wealth
You know I am a poor man
And it's not good for my health
I'd like to be a rich man
With my hands on the controls
But on the path to the top you must
climb many a greasy pole
Can you blame a rich man
For all the money he stole
If he stands upon the poor man
To see his dollars roll
And will this railroad reach him
Or will his pit black soul
Be as dark as a railway tunnel
Where the trains no longer roll
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.
30 years across a divide
Territorial suicide
If you see us let us go
How sweetly grow the snow drops
In the New Year's snow
30 years of treading walkers
Dogs on leashes and deer stalkers
Treading softly never stops
Over the hills of the Snow drops
Where you put your barriers down
Where you lay your claim to this town's
Hopes and dreams, her fields and streams
You cut in belts of Green and Brown
But you who judge and deem, and measure
Across our land it seems at your leisure
Saying this is ours and that is yours
Is one good way to start some wars
And if you should let greed rule your heart
Then throw away your beauty and art
For nothing sacred can be understood
Unless to live in peace in your own neighbourhood
And nothing built shall be bound
Unless by the folly of those around
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.
The railway embankment rises
From behind the gardens of the estate
A long corridor of brambles and green leaves
The pale, pastel barks of the Ash saplings
That still sprout and grow vigorously
Goldfinch carousel about the branches
Each limb is like a path to another town
Another bud is ready to burst into life
But now waits in earnest expectation
Of the spring
Biding its time
On the Strawberry line
I am conflicted, in two minds
Because on the one hand we are bringing
access to the countryside, linking up
the hubs and nodes like a network
Of underground roots
And on the other these natural corridors
will inevitably be somewhat diminished
By the human wish to spread its own branches
To feed its own systems of growth
And repair its own faulty pathways - the roads
Industrial, smoke breathing cars
That flash and wizz past the parapet of the
Once-bridge below
They will resurrect this bridge back from the grave,
And like an old giant remembering
Something of the spirit of the railways
Will come alive again
As people will walk their dogs along it
Will cycle their bring-a-bring bikes
and maybe the hedgehogs and squirrels
And scurrying things, will likewise
Cross the bridge and discover new worlds
beyond the boundary of the road
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.
The dirge was heard
In an echo
Of faceless voices
Down the tunnel escaping choices
On a single track minded train
Robber barons, and braids are framed
In forget me not knots
That tie down your friends
On the rails, down the line to freedom
Some signal man says you must change tracks
And hoops are thrown, like star jacks
To catch on the back of my hand
Like maps
I know so well, yet there's something I lack
A compass stored away
A needle on my lap
To follow the flow of flowers
down wild winding tracks
I see the gods of Ash collapse
In the leaves of their prayers
Their devotees, picking through snapped branches
Like grasping knobbly fingers of old witches
The skeletons of women trees
Who's men folk have wandered too far
Skeletons soon to be but ashes
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.
Sharpen the billhooks and rev up the saws
Slash the nettles and bend the stalks
That's what we do in the Great Outdoors.
burn the brash with our pitchforks
Cut down the vine and stamp on the stump
Break up the stone with a sledgehammer
Pull up the roots and on bare earth thump
Ram in the fence post with a post rammer
Raze the old tree, fell it to the ground
Hack with pick axe and with mattock pound
Then when you’ve dug plant a sapling sound
Keep filling with saplings all the holes around
For that’s what we do in the Great Outdoors!
So sharpen the billhooks and rev up the saws
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.
Sharpen the billhooks and rev up the saws
Slash the nettles and bend the stalks
That's what we do in the great outdoors
burn the brash and pitch in with our forks
Cut down the vine and stamp on the stump
Break up the stone with a sledgehammer
Pull up the roots and on bare earth thump
That's what we do in the great outdoors
Hack at the trunks and call the Jackdaws
Raise that old tree trunk, fell it to the ground
Mash up the muddy swamp and flash up the sound
The railway rations are coming back into fashion
That’s the Strawberry line volunteer’s passion
We are the Strawberry line volunteers
We'll be glad if you can lend us your ears
And listen to our song
It won't last for very long
4 hours of work a day on all fours
Crow the shrill rooks and caw the Jackdaws
That’s the Strawberry line volunteers outdoors
Bring up the dilapidated ruins of rails
Resurrect those uninhabited homes for the snails
Pull up old fence posts cut off barbed wire
And throw it all on top of our burning fire
4 hours of work, and nine of contemplation
Don’t sleep on the job for there’s no compensation
Lay down the runners let them have fun
Shine on Strawberry fields under the sun
Hack at the trunks and scrape at the stone
Trudge through the mud up to shin bone
Break up the ice and burn all the brash
That’s what volunteers do on Shepton's mash
Run down the augurs and drill like thunder
Dig on dig on until you discover what’s under
The bed rock the stiff stock of railway stash
That’s what Strawberry liners do with your cash
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.
To the viaduct
Go walking
On the long wet rainy days
With your dog in the forking
Of the long hot summer hays
And Dripping with rememberance
Of a past now left behind
When railways and Steam engines
Crossed the valleys of our minds
And all the strawberries travelled and all the red currants
Too
Like blood and diamonds in parcels
From the mines of South African fruit
And the empty arches standing
As a door stop in our minds
Leaving open the door to the past
And passage way to a time
before
Though we know it does not last
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.
There is a disease and it rises in the tide
And it coughs in the nation
And is spread by the pride
The gods are taking over
And the wild wind blows
In the railway sleepers
It lies in the throes
It seeps in the heart
From your head to your toes
It gets in your blood
Before you even knows
It's the enemy of love
It's a canker on the rose
Its like the nectar of Gods
And people are the bees
But if it gets in your blood
Then it will make you bleed
Because you've stood on it where you trod
It's the disease of greed
And they push and they shove
From Suffolk to Greece
They will push out love
It'll wage war in place of peace
And as everyone knows
Wickedness never will cease
You've got it and it shows
The disease of greed
It shows in your face
Your smiles they crease
The little slip of a dove
Carrion crows of unease
They shelter above
In the crown of the trees
But you've got nowhere to go
When you've got
The disease of greed
When you're caught between desire
And the path of the priest
It's like being trapped between
The Devil and the deep blue sea
Keep well your garden
And hoe down the weed
Before its grip starts to harden
In the disease of greed
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.
I was travelling on the Orient Express
Working as a stoker to earn my passage.
I wanted to get to Istanbul,
But we stopped off in Budapest
Then Bucharest
The rest is history
Well somewhere about Cluj Napoca
A strange man walks on board
A little stiff
Like he had a splint for a neck
He sits down
Calling himself The Count
I think I heard this one
before
But the thoughts don't mount
Soon the passengers start dropping like flies
I don't know the body count
But it was pretty high
And they all seemed to have been given
Two inoculations to the neck
The anti-vaxxers said
That was just what they'd expect
The vaccine is a killer
Well, the truth is far from that
For when he alighted from the train
I noticed the Count was rather fat
"There are more calories in a pint of blood he said
Than in a pint of beer, did you know?"
I said "I didn't know that, no",
Then he said "And who might you be young man?"
Well who is it who wants to know who I am?
Count Vlad said he, as meek as a lamb
Indeed you see he was a Siam
Or perhaps a twin of one who came from Japan
"Well of course then kind gentleman Sam
My trade is Stoker and my name be Bram"
"Unusual", said he "for such name to travel
One had thought it would stay home on the gravel"
And not gravy and stir the newly passing year
Well said I, I heard Istanbul is nice about now
I'd like to see the Blue Mosque and circle the prow
I'd like a dip in the Bosphorus and to see and delight
In the Turkish city's quarters in the midst of the night
"I too", said the Count "would like to explore that foreign
world
Which is why I have travelled with gold and with pearls
You see a lifetime of living has set me quite dead
With the hum drum voices of pageantry and dread
I've heard too many screams and too many calls
To fill my dreams like a nightmare's halls
And instead, I want to drift down consciousness' stream
And out to Xanadu with the restless bream
I want to let go of this Romanian Rowel
I want to throw the dice, let them fall where they fall
Will you gamble with me friend come and seek out a night?
For in the shadows, they are hiding my Turkish delights"
Well, I said "Count if you promise to behave
I'll go along quite easy though I'm not looking for my grave
I wish to have some fun and paint the town pink
With that he bit a currant bun, and I watched his teeth sink
In quite deep and noticed their length
I thought to myself now Bram how unusual their strength!
They seemed to be capable of biting through a shoe
With that I commented "Count, I'll see what I can do
When I get off at Istanbul, I’ll get cleaned up then find
you."
“A deal it is” he said it kind of sly
And I thought I could see the glint of a silver moon in his
eye
But now I thought I'd leave it and turned back to stoke the
boiler
One day I thought I'd write a book and don't want to tell a
spoiler
So that was how me and the Count we got well acquainted
I must say I found his ways quite strange, a little
antiquated
But none the less we made it some twenty hours later
Across the Bosphorus strait, that lovely stretch of water
And the heady lights and sounds of Istanbul bit us like a
bug
As like more passengers seemed to drop dead in the grip of a
death hug
I counted myself lucky to have made it with the virus going
round
And as I stepped off the sinking ship, I felt like the last
rat who hadn't drowned
Istanbul was pretty amazing in its ways, the sights and
sounds of markets
The smells wafted up in a maze,
I felt lost and found all at once, and gladly fell into
deepest slumber
As the stars they whirled in wonder
Around and round
The fires grate was spitting, when revived I came to sitting
And remembered of my promise to the Count
It seemed so strange yet fitting, to be here with one so
noble
Yet my brow was knitting as to how me and him might dance the paso doble
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.
I like to write poetry and perform it at poetry nights. I've been writing some form of it since school years.